#LEARNING ON1 PHOTO RAW 2018 MOVIE#
#LEARNING ON1 PHOTO RAW 2018 UPDATE#

ON1 Photo RAW 2018 panders to my taste for contrasty images. None of these enhancements are possible with Lightroom withoutВ relying on Photoshop or equivalent masking and layer tools. This was not done in layers, but deploying a texture of afternoon clouds, masking out the blander sky and brightening the foreground with its dynamic contrast filter. This involved some experimental masking of the three images joining, blending, tone-enhancing and blurring them until itВ looked quirky enough to merge and then clean up.Д«elowВ is my firstВ attempt at perspective distortion with some futzing about within dodging and burning effects and blends.ДЇinally, IВ played withВ a more moderate enhancement, using texture blending by replacing the dull sky with a more interesting one. I wondered whether I could just use the oneВ image and rotate it left and right, masking and compositing the three in layers. At its best, it is done by combiningВ at least one other image to form a composite such as aВ bird's eye eye-view and a more conventional view.

#LEARNING ON1 PHOTO RAW 2018 MOVIE#

The Inception project sought to mimic the look of the unreal perspectives that featured in the Inception movie of 2010 directed by Christopher Nolan.В Not for everyone butВ it's worth learning as a post-processing technique. I then burned in the road to mimic GodzillaвЂ™s shadow, added a few more touch-ups with the chisel mask tool and there you go. But he could easily be expanded and placed further down the track.

My version makes Godzilla smaller than usual to fit. Then the Godzilla figure is inserted it the landscape in layers. Just вЂњapplyвЂќ it over the figure whose background you want to make transparent. This was done with just one click of its Quick Mask tool hidden in the Layers Module at the top menu. The first step was using ON1вЂ™s masking tools to transform GodzillaвЂ™s opaque background to transparent. Lightroom users will need to access Adobe Photoshop or Topaz ReMask tools to produce a similar result. The composite image process requires three things: finding a suitable landscape image, processing an image of Godzilla processed with a transparent background and layering and merging the two into one reasonably credible image. The Godzilla project was inspired by someВ audacious entrants in previous post-processing competitionsВ who managed to incorporateВ that fearsome post-nuclearВ Japanese icon within an otherwise mundane landscape resulting in gobsmacking output. Here are three examples to illustrate this promise. This concluding chapter discusses how itВ outperforms Lightroom by integrating Photoshop layers, masking, its dynamic approach to blending and array of effectsВ toВ offer new directionsВ in your RAW imageвЂ™s output.

The time and pressure of learning the new technology needs to be worth it. But moving to another post-processing editor requires more than being good enough. The last chapterВ compared ON1 Photo RAW 2018 favourably with LightroomвЂ™s functionality, performance and value.

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For Sale: Sigma 50-500 APO DG EX for Pentax (MINTY).

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Caption Contest Caption Contest - 8th May to, NZ time.

Thematic Post-Processing Challenge #416.

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Weekly Challenge Weekly Challenge #577 - Angel.

HD Pentax-D FA 21mm F2.4 ED Limited DC WR.

Mindshift Gear Rotation180 34L Backpack Review.

#LEARNING ON1 PHOTO RAW 2018 UPDATE#

Ricoh WG-6 Firmware Update Adds Webcam Functionality.Win a SMC Pentax DA 21mm: Special Photo Contest.

Learning on1 photo raw 2018